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Her father's kisses were candy bars, which her mother had forbidden.
Every evening at seven, Charlotte would hear his key in the lock and run to greet him. He would not lift
her into his arms, but he would smile their secret smile before he removed his hat and coat and hung them in the
closet in the hall.
After supper, which she would pick at, after I Remember Mama or Father Knows Best, she would brush
her teeth and hair, take off her school clothes, and put on her pajamas. She would turn off the light, climb under
heavy blankets, reach under her pillow, and unwrap it slowly and quietly in the darkness. She would close her eyes
and open her mouth.
It quieted and excited her at the same time. Everything about it was a relief--its flavor, color, fragrance,
even its name, which was so like hers. Sometimes she would whisper it, like a magic word, as if by saying it, she
could taste it. It was a word of consonants, a collision of hard and soft sounds. She would utter them slowly,
savoring even the tiny silence between the two syllables, and the almost inaudible t.
Chocolate.
To Charlotte, a chocolate bar was a Hershey bar. Nothing else could provoke the same hopeful, fearful
anticipation, or provide the same profound pleasure. And although it was milk chocolate (which, otherwise, she
hated), it was darker; to the innocent palate of a child, it was almost bittersweet.
She loved its plainness; almonds would get in the way. She loved the glossy brown paper and the shiny
silver letters that caught her eye in movie houses, grocery stores and subway stations, long after she had grown up.
She even loved the stories of American soldiers who gave them to grateful French girls. Her father was her
American hero, and she was his jeune fille. Until she turned twelve and entered that brief time in the life of a woman
when she is, or believes herself to be, herself.
At twelve, she knew things, and could do things. Snap pictures with her own camera. Take the subway to
Coney Island and ride a Steeplechase horse. Buy her own Hershey bars at the candy store around the corner.
At twelve, when her mother did not even cook, other mothers baked. She was not impressed by cakes, not
even chocolate ones, or brownies. Too much cake; not enough chocolate. But when another mother made fudge, she
let Charlotte stir the bubbling brown mixture with a wooden spoon, tracing the shape of a figure eight on the bottom
of the pot. The pot was a cauldron; the figure eight, a hex symbol.
Her first taste of fudge came years before her first kiss, but it was just as sensational. A familiar, beloved
taste was suffused with warmth and depth, and it stirred her in a completely new way, instilling the false hope that
her own mother, who considered sugar poison, would make fudge too.
In the middle of that night, on her way to the bathroom, Susan saw a light, and in it, her mother, with a
strange and sad expression on her face. Her book was lying, facedown, on the arm of the easy chair. Charlotte's gaze
was as fixed as her mother's, until her eyes wandered to an open box of Barton's kosher bonbons. A relative had
brought them for Passover, but they had disappeared faster than the afikomen. She returned to bed, angry but
resolute. The other mother would teach her how to make fudge; she would give herself permission to eat it.
Shortly after her thirteenth birthday, the window that had opened began to close. The boys she wanted
were not the boys who wanted her. She was baffled. Her father adored her; why didn't they? But her father left her
every morning before she awoke, so that he could be in his office in New York at seven. New York was what people
who lived in Brooklyn called Manhattan.
Long before she left home, she had forgotten how to make fudge, and withdrawn the permission she had
given herself to eat chocolate. She had become her own mother, and could no longer receive her father's kisses.
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| The Journey in Brief |
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